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Only, as evidenced by the noises coming from the basement, Madeline wasn't quite dead. In 1979, Italian state channel RAI loosely adapted the short story, together with other Poe's works, in the series I racconti fantastici di Edgar Allan Poe.[33] It was directed by Daniele D'Anza, with Roderick Usher played by Philippe Leroy; music was composed by pop band Pooh. The bedroom door is then blown open to reveal Madeline, bloodied from her arduous escape from the tomb. In a final fit of rage, she attacks her brother, scaring him to death as she herself expires.
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'The Fall of the House of Usher': Who Is the Jester? - TV Insider
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After Roderick gives Auguste his final confession, Madeline bursts through the door of the basement and strangles her brother to death — the same way their mother killed their father. Auguste stands outside in horror, as Verna stands atop the wreckage. After Leo (Rahul Kohli) wakes up from a bender with bloodstained hands to find his boyfriend Julius’ (Daniel Jun) cat stabbed to death in their living room, he knows he’s in trouble.
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The story concerns the narrator’s visit to a strange mansion owned by his childhood friend, who is behaving increasingly oddly as he and his twin sister dwell within the ‘melancholy’ atmosphere of the house. As the doting mother of both Frederick and Tamerlane, Annabel Lee was devastated to lose custody of her children after Roderick gorged them with money they couldn’t refuse. We discover in the final episode, when she appears as a vision to Roderick, that she literally could not live without them. Annabel Lee reveals that she’d tell people “he’s rich” when they’d ask how he stole her kids away. But now she only sees poverty in Roderick, as he starved their children of love. Roderick has come from a miserable childhood with a puritanical, sickly mother who believes that “pain and suffering are the kiss of Jesus”.
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While Roderick clearly felt lots of remorse for the collateral damage that his successes had caused through the years—Verna explicitly showed him the deaths he was responsible for—Madeline felt absolutely none. She instead blamed "the consumers," the people whose lives are made worse by taking in the products that they (and others) make available. Not when he drugged Madeline's drink, just as she drugged Griswold's all those years earlier, and not when he cut her eyes out, mummifying her with the sapphires she so valued in her time on this earth. By doing this, Roderick was briefly arrested for perjury, but earned goodwill with both Griswold and the larger Fortunato community; he was willing to take one for the team. While eventually Roderick could have used this to simply move his way up, he and Madeline had other plans.
A “playboy” with a drug for every occasion, Leo welcomes the ability to numb the pain of his reality, but his drug use has started to become a problem for his boyfriend, Julius. Incredibly intelligent, driven, and calculating, Madeline has always been the brains behind Fortunato. Whenever her brother falters, she’s always there to give him a push, making them a formidable duo. While she loves Roderick, her unrelenting drive and desire for success wouldn’t hold her back from stepping over him, if need be. Once Roderick and Madeline were the only ones left in the bar after a long night of drinking, Verna revealed to the twins that she knew what they had done. But, if they agreed to her terms, she could guarantee that they would not only get away with Rufus' murder but also rise to control Fortunato's billion-dollar painkiller empire and never be convicted of a single crime.
Tamerlane Usher
It's the how and the why of their deaths that plays out over the course of Mike Flanagan's new horror anthology series, now streaming on Netflix. Siblings Roderick and Madeline Usher have built a pharmaceutical company into an empire of wealth, privilege and power; however, secrets come to light when the heirs to the Usher dynasty sta... Roderick and Madeline’s trauma begins when their devout mother, Eliza (Annabeth Gish), dies at home, and the twins bury her in a homemade coffin in the backyard. Eliza claws her way out and exacts vengeance on William Longfellow (Robert Longstreet) — her married boss, CEO of Fortunato Pharmaceuticals, and Madeline and Roderick’s neglectful father.
The narrator helps Roderick put Madeline's body in the tomb, whereupon the narrator realizes that Madeline and Roderick are twins. The narrator also notes that Madeline's body has rosy cheeks, which sometimes happens after death. Over the next week, both Roderick and the narrator find themselves increasingly agitated.
While his neuroses make him an easy target for his siblings, Freddie’s fiery jealousy and compounding insecurity force him down a path that even those closest to Freddie are shocked to see. Verna is a shape-shifter whose origins can be traced back to a — let’s just say — very famous Poe character. Roderick and Madeline met this mysterious woman on a fateful night in their past. The Fall of the House of Usher is a haunted house of a show filled with the ghosts of Mike Flanagan’s past casts.
Poe's Stories
For instance, it has sometimes been suggested that Roderick’s relationship with Madeline echoes Poe’s own relationship with his young wife (who was also his cousin), Virginia, who fell ill, as Madeline has. But Virginia did not fall ill until after Poe had written ‘The Fall of the House of Usher’. Roderick Usher is a gifted poet and artist, whose talents the narrator praises before sharing a poem Usher wrote, titled ‘The Haunted Palace’. The ballad concerns a royal palace which was once filled with joy and song, until ‘evil things’ attacked the king’s palace and made it a desolate shadow of what it once was. The younger version of Auguste was an investigator who sought to find the truth — and the good in people. A dedicated, kind, and thoughtful husband to Tamerlane, Bill (or BillT as his fitness followers call him) is more than happy to team up with his wife on their newest wellness venture.
“The Fall of the House of Usher” stands as one of Poe’s most popular and critically examined stories. Within a few hours of the narrator’s arrival, Roderick begins to share some of his theories about his family. Much to the narrator’s surprise, Roderick claims that the Usher mansion is sentient and that it exercises some degree of control over its inhabitants. He declares that his illness is the product of “a constitutional and a family evil.” (The narrator later dismisses this as a cognitive symptom of Roderick’s “nervous affection.”) Roderick also reveals that Madeline, his twin sister and sole companion in the house, is gravely ill. According to Roderick, Madeline suffers from a cataleptic disease that has gradually limited her mobility. As Roderick talks about his sister’s illness, the narrator sees her pass through a distant part of the house.
But as we know from the start, there’s no point in getting overly attached to them, as grisly fates are assured for all. It’s not so much the “what” as the “why” that the audience and Dupin need to be answered. As Roderick nears the conclusion of his story, which jumps back and forth between his early years working at Fortunato and the events that led up to each of his children's deaths, he finally arrives at the fateful night that changed everything, New Year's Eve of 1979.
And as Roderick Usher got sicker and sicker in real life—his rare form of vascular dementia gave him horrific hallucinations, including Griswold's Jester costume and his various children's dead bodies—his bill came due, and all of his children died in front of him. English majors will likely know where some of the stories are going just by seeing the episode names. When the young and trendy Prospero Usher (Sauriyan Sapkota) decides to host an exclusive sex-and-drugs party at one of dad’s old factories in an abbey, readers of The Masque of the Red Death will know it’s going to be a gruesome scene.
“There is a lot about my job that I love, but there are moments like these that bring me no joy,” Verna tells her in her bedroom after a conversation that found Lenore telling Roderick that it wasn't too late to use Fortunato and the family's largesse for good. Keep in mind that Lenore still had this pureness of mind after seeing her mother burnt within in inch of her life by acid (thanks to Prospero's foolish orgy party) and then tortured by her father, who himself had just been brutally killed in a ridiculous freak accident. BY THE TIME you reach the final episode of The Fall of the House of Usher, the latest of Netflix's horror limited series from writer/director Mike Flanagan, there have been a lot of scares, a lot of violence, and a lot of lore. But, still, a few lingering things remain that need to click in order for the series—based on the collected writings of Edgar Allen Poe—to really all fall into place. Roderick Usher (Bruce Greenwood) attends a joint funeral for a number of his adult children, and in a montage of press coverage, we see how a series of “freak accidents” has wiped out his entire bloodline. The Usher patriarch then sits in a dilapidated mansion with Carl Lumbly’s Auguste Dupin (based on Poe’s famous recurring character who is considered the first detective in fiction) and offers him a confession.
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